Professional SpotlightSpotlight

When Carpe Juvenis set out to redesign, we knew exactly who to turn to. Spencer Shores, an incredibly talented recent graduate from Cornish College of the Arts, was the person we needed. We were referred to him by Kate Harmer (who you might recognize from her own Professional Spotlight!) who brought him onto her team as an intern and quickly realized he stood out as worth recommending. It’s hard to believe that Spencer is just in his early twenties – he has the professionalism of an ultra experienced pro, and the skill of someone who is able to combine both learned and natural talent to everything he touches. We knew from the get go that we had to share his story and advice with the Carpe community! So without further ado…

Name: Spencer Shores
Education: BFA in Visual Communications from Cornish College of the Arts
Follow: www.spencershor.es

Carpe Juvenis: How do you define “Seizing Your Youth?”

Spencer Shores: Seizing your youth to me is about finding your path. It is taking on an active role of defining yourself. Fail often and what have you.

CJ: You are studying Design and Visual Communications at Cornish College of the Arts. What sparked your love for design and illustration?

SS:
I entered school as print-maker and a painter. My love for design and illustration was something that grew the more I was immersed in the community. I loved that designers ask questions, whether they have the answers at the time. However, they always planned on finding an answer. Design for me is the perfect cohesion of critical and creative thinking.

CJ: What does your creative process look like?

SS: It really depends on the project.  I like to have a variety of projects at any one time. Some are just visual experiments or technique explorations, while others are highly conceptual projects that tend to be very near and dear to my heart. The visual and technique driven projects usually start with a lot of visual references and lots of sketching, it’s a lot less formal of a process. Some of these projects are just weekend posters or things of that nature. The more conceptual projects starts with a lot of reading, writing, and reflecting. The conceptual projects can last from weeks to even years. There are still visuals and sketching phases, however this occurs much later. The visuals don’t become important until you’re about 80% done with the project.

SS

CJ: You interned at Hum Creative. What was that experience like and how has it influenced your work (in design and/or business)?

SS:
Working with the Hum crew was a great experience. It was really demystifying of the design world. You hear horror stories while in school of what design firms are like. I suppose I’m lucky, because that was not my experience. Interning and later working with Hum was the first job I’d ever had where I wasn’t counting the hours until I could go home. I vividly remember thinking that this was what people talked about when they said work is never work if you love what you do. Since then, I never approached design as a task, or something I need to do. Design is always an opportunity, an opportunity to make something that matters. That’s a really exciting realization.

CJ: What are the greatest lessons you have learned from being a designer and illustrator?

SS: It is an important and valuable skill to be able to see things that don’t work. I consider myself an optimist, but there are a lot of things in the world that do not work, or at the very least could work better. The greatest lesson I’ve learned as a designer is that the first step of solving a problem is asking the question.

CJ: What is the most challenging part about being a designer and illustrator? The best part?

SS: I think the most challenging part is in fact the best part. Something that doesn’t generally come naturally to people is the idea of collaboration. The best part of being a designer is the opportunity to work with people, but more importantly people that think differently than yourself. Whether it be other designers or working with clients. My best work has come from collaboration and melding of ideas in order to solve a problem. This isn’t always easy, but it is always rewarding.

Spencer shores

CJ: What advice would you give to a young person who is interested in being a designer and illustrator?

SS: Work hard and ask people questions. You’ll be amazed at how positively people react when you are genuinely interested in what they do. Design/Illustration is a fairly small community, so it goes a long way just to reach out to people. That results in an infinite supply of knowledge and mentorship.

CJ: Every day in your life must be different depending on your projects and the time of year, but what does a Monday look like for you?

SS: I try to make a point to ease my way into the week, by ritualizing it in a sense. I make the active choice to get up and get out as soon as possible. I go straight to a coffee shop and get a coffee, being in a new surroundings kick starts my mind. Then I make lists. I love to make lists of things I want to achieve during that day and throughout that week. It’s an important part of my workflow.

CJ: What are your time management tips? How do you stay organized and efficient?

SS: The lists! I make multiple versions of my lists, I keep digital and handwritten copies. Actually physically writing things helps me remember them more accurately. It is also important to have an idea of how much time you can spend on something. It’s a good exercise to time yourself with parts of your day or workflow so you can accurately assess and distribute your time.

CJ: What is a cause or issue that you care about and why?

SS: A point of discussion recently has been the education system. I believe that we systematically approach educating people in the wrong way. This results in the population believing that they are not capable of many things. I believe that people can do anything they want to do. We live in a world where almost all knowledge is accessible and you can learn all about it with the half a second it takes to Google it.

SS2

CJ: What is an area, either personal or professional, that you are working to improve in and how?

SS: I’m really pushing myself to be better about being honest with myself and others. Not in the sense that I am a compulsive liar or any such thing. I am more accurately a relentless optimist. I believe that many things are possible and I’m often right, however, I tend to spread myself fairly thin at times by overcommitting to people. At a certain point it is more beneficial to others if I am not quite so drained.

CJ: Having a loaded schedule can sometimes be overwhelming. What do you do when you’re having a bad day and need to unwind or reset?

SS: I go outside. First thing I need to do is step away from what is frustrating me, which typically is work related and often involves a screen. I constantly need to remind myself to go outside, feel a breeze, and take a breath. It keeps my grounded and engaging my other senses takes the focus off of the one point of frustration. I also write my thoughts. It allows me to stop thinking about so many things at once if I can just get them on paper.

CJ: What advice would you give your 15-year-old self?

SS: It is okay to question your teachers. They’ll encourage you to do so. It is totally possible to make money in a creative field. Forget about business school. It is also possible to make things that are important and impactful, not just for you, but for others as well.

Spencer Shores Qs

Images by Spencer Shores

Professional SpotlightSpotlight

It’s not every day that we see an illustration, design, or logo that makes us feel something. However, when we see Kate Harmer’s illustrations and designs, we are immediately inspired and moved.  Kate drew constantly when she was a little girl and she hasn’t stopped since. After following her passion and enrolling in Cornish College of the Arts, doing internships, getting job experience in design and illustration, and completing graduate school at Rhode Island School of Design, Kate launched her own design studio, Hum Creative, that focuses on creating and developing brands. More recently, Kate illustrated a fun book based on the popular Twitter feed @tweenhobo.

Kate is not only amazingly talented, but she is smart, kind, and thoughtful. We are encouraged by her self-starter attitude, work ethic, and of course, her creativity. Kate not only has the ability to draw and design, but she also knows how to build an incredible team of people with serious creative skills. Through determination, hard work, and learning how to grow a thicker skin, Kate has excelled in her field, and she generously shares the lessons she has learned during her journey. Read on to learn more about Kate Harmer, a true inspiration!

Name: Kate Harmer
Age: 32
Education: BFA in Illustration from Cornish College of the Arts; MFA in Design from Rhode Island School of Design
Follow: Twitter / Hum Creative / Instagram

Carpe Juvenis: How do you define ‘Seizing Your Youth’?

Kate Harmer: It’s common to hear successful people look back and say, “We were so young, we were so crazy, we were so brave!” They’re talking about times that were challenging, but they are able to look back and laugh. I try to remember that I’m in that time right now for my future self. Knowing that all of these things won’t seem as hard or scary once they’re done encourages me to take big risks.

Yes, I’m 32, but that’s super young! Someday I’ll hopefully laugh at my failures and be proud of having challenged myself. Both are positive outcomes. To me, seizing your youth is embracing that now is the time to be free and brave.

CJ: You received your BFA in Illustration from Cornish College of the Arts. How did you determine what to study?

KH: My career has been a process of elimination. When I was in high school I didn’t know what graphic design was. I just knew that I liked to draw and wanted to do something creative. I went to school for Illustration and worked as an Illustrator for a while. I tried to follow my passion in a broad sense, then tried lots of things to see what I enjoyed and to get more focused.

CJ: What sparked your love of illustration and design?

KH: As a kid I would sit in my bedroom for hours and draw fake advertisements for the commercials I heard on the radio. I didn’t realize it at the time, but I was thinking like a graphic designer. I wasn’t super social, so drawing was a natural way for me to process the world and express myself.

Because I drew constantly, I had good foundation of skills by the time I was looking at colleges. I definitely think most things can be learned, but you have to put in the time.

d

CJ: You also received your MFA in Design from Rhode Island School of Design. Why did you decide to go to graduate school, and would you recommend it?

KH: I went to graduate school to learn new skills and jump start the next phase of my career, which was more about design than illustration.

I would recommend graduate school, but only for people who are really ready for change and have fully explored on their own first. I don’t think graduate school is required to be successful, and some life experience first is key. You can create a condensed learning experience on your own, but some people need help. I needed grad school to push me.

Graduate school was both awful and great. The workload was almost unbearable at times, making it one of the toughest experiences of my life so far. It was a critically intensive, so I graduated with a much thicker skin. I also made amazing friends, learned a ton, and I felt empowered to do what I do now. It was a full, amazing experience.

CJ: You are the Principal and Creative Director at Hum Creative. What do your roles as Principal and Creative Director entail? 

KH: When I first started the company I was doing a bit of everything – designing, sweeping floors, and writing invoices. Now my role is to think about this entire company as a design project. I am responsible for our overall strategy and goals, getting the best team of people together, and directing the creative process. I also play on our kickball team.

CJ: Before Hum Creative, you were a designer at Starbucks Creative Group. What kinds of projects did you work on at Starbucks?

KH: I got to illustrate coffee bags, draw lots of little croissants and coffee mugs, and help design seasonal merchandise and packaging. I was fresh out of school and supported senior designers and creative directors with illustrative tasks that were needed to fulfill their vision.

I think about that job every day while building Hum Creative. When I was at Starbucks, it really felt like everyone was happy with their jobs and coworkers. A lot of what I learned there has stayed with me.

e

CJ: You illustrated the book Tween Hobo, which is based on the popular Twitter feed @tweenhobo. What was that illustration process like?

KH: Alena Smith knows the Tween Hobo character so well. I flew down to LA to brainstorm initial ideas for the book with her, then worked remotely for the next few months. Alena sent me in-progress chapters every couple of weeks. I would read them and keep a running list of possible visuals. We would Skype to discuss and narrow them it down. Most of the process was brainstorming with Alena. I would sketch the illustrations in pencil first, and then once they looked good I drew over them in Sharpie.

CJ: What are the greatest lessons you have learned from being an illustrator and designer?

KH: Professional creatives need to be open to criticism and flexible to change, but they also must stand up for what they believe in – when it really matters. Grad school and client work has helped me grow a thicker skin and to understand that everyone’s input is valid. You can’t be too precious about your work – sometimes people won’t like it. That’s okay. Not all battles are worth fighting… when you do push back, it should mean something.

CJ: What is the best part about being a designer?

KH: The best part of designing for me was seeing my work out in the world, successfully doing its job. As a creative director, it is so fun to see this whole group make work that they’re proud of. Knowing they worked hard, made beautiful work, and enjoyed the process is hands down the best part about what I do.

CJ: What does a day in your life look like?

KH: My day involves a lot of time reading emails and meeting with our internal design teams to check in on projects moving through the studio. I also meet with clients often to present work and discuss feedback. Some days are spent on the set of photo shoots or visiting the printer for press-checks.

c

CJ: What should a teenager or young adult who wants to be an illustrator and designer do to set themselves up for success?

KH: Make a lot of work. We look at a lot of portfolios here, and the people who really stand out have been making up their own projects and designing things on the side. Drew Hamlet, a Lead Designer at Hum, started an online radio station in high school and he designed the branding, website, and collateral for it. I’m very impressed by self-motivation. You learn so much by just being active in your field, even if it’s just practicing. Don’t wait for people to ask you to do something, just do it yourself.

It is also important to have a sense of the design community and what has come before you. Look at blogs, read design books, and absorb a design education as much as possible.

CJ: How do you like to spend your free time?

KH: I work long hours and am a homebody when they day is over. My husband and I love to cook and enjoy big dinners outside, then take our two French bulldogs on long walks.

CJ: What motivates you in your everyday life?

KH: Professionally, this team motivates me. The responsibility of having people who come to work in an environment that I make is both very intimidating and very inspiring.

My husband is very motivating and inspiring outside of work. He is a creative that has worked really hard since he was a teenager and he’s done well. He’s always wanting more and imagining fun things he can do. He’s constantly learning and dreaming. He’s a really good reminder to keep your mind open and active.

CJ: What advice would you give your 15-year-old self?

KH: I’d tell myself to be braver sooner. It took me a little while to start realizing that taking risks almost always pay off in some way. It might not always be in the way you planned, but taking on challenges is the fastest way to grow.

Kate Harmer Qs