When Carpe Juvenis set out to redesign, we knew exactly who to turn to. Spencer Shores, an incredibly talented recent graduate from Cornish College of the Arts, was the person we needed. We were referred to him by Kate Harmer (who you might recognize from her own Professional Spotlight!) who brought him onto her team as an intern and quickly realized he stood out as worth recommending. It’s hard to believe that Spencer is just in his early twenties – he has the professionalism of an ultra experienced pro, and the skill of someone who is able to combine both learned and natural talent to everything he touches. We knew from the get go that we had to share his story and advice with the Carpe community! So without further ado…
Name: Spencer Shores
Education: BFA in Visual Communications from Cornish College of the Arts
Carpe Juvenis: How do you define “Seizing Your Youth?”
Spencer Shores: Seizing your youth to me is about finding your path. It is taking on an active role of defining yourself. Fail often and what have you.
CJ: You are studying Design and Visual Communications at Cornish College of the Arts. What sparked your love for design and illustration?
SS: I entered school as print-maker and a painter. My love for design and illustration was something that grew the more I was immersed in the community. I loved that designers ask questions, whether they have the answers at the time. However, they always planned on finding an answer. Design for me is the perfect cohesion of critical and creative thinking.
CJ: What does your creative process look like?
SS: It really depends on the project. I like to have a variety of projects at any one time. Some are just visual experiments or technique explorations, while others are highly conceptual projects that tend to be very near and dear to my heart. The visual and technique driven projects usually start with a lot of visual references and lots of sketching, it’s a lot less formal of a process. Some of these projects are just weekend posters or things of that nature. The more conceptual projects starts with a lot of reading, writing, and reflecting. The conceptual projects can last from weeks to even years. There are still visuals and sketching phases, however this occurs much later. The visuals don’t become important until you’re about 80% done with the project.
CJ: You interned at Hum Creative. What was that experience like and how has it influenced your work (in design and/or business)?
SS: Working with the Hum crew was a great experience. It was really demystifying of the design world. You hear horror stories while in school of what design firms are like. I suppose I’m lucky, because that was not my experience. Interning and later working with Hum was the first job I’d ever had where I wasn’t counting the hours until I could go home. I vividly remember thinking that this was what people talked about when they said work is never work if you love what you do. Since then, I never approached design as a task, or something I need to do. Design is always an opportunity, an opportunity to make something that matters. That’s a really exciting realization.
CJ: What are the greatest lessons you have learned from being a designer and illustrator?
SS: It is an important and valuable skill to be able to see things that don’t work. I consider myself an optimist, but there are a lot of things in the world that do not work, or at the very least could work better. The greatest lesson I’ve learned as a designer is that the first step of solving a problem is asking the question.
CJ: What is the most challenging part about being a designer and illustrator? The best part?
SS: I think the most challenging part is in fact the best part. Something that doesn’t generally come naturally to people is the idea of collaboration. The best part of being a designer is the opportunity to work with people, but more importantly people that think differently than yourself. Whether it be other designers or working with clients. My best work has come from collaboration and melding of ideas in order to solve a problem. This isn’t always easy, but it is always rewarding.
CJ: What advice would you give to a young person who is interested in being a designer and illustrator?
SS: Work hard and ask people questions. You’ll be amazed at how positively people react when you are genuinely interested in what they do. Design/Illustration is a fairly small community, so it goes a long way just to reach out to people. That results in an infinite supply of knowledge and mentorship.
CJ: Every day in your life must be different depending on your projects and the time of year, but what does a Monday look like for you?
SS: I try to make a point to ease my way into the week, by ritualizing it in a sense. I make the active choice to get up and get out as soon as possible. I go straight to a coffee shop and get a coffee, being in a new surroundings kick starts my mind. Then I make lists. I love to make lists of things I want to achieve during that day and throughout that week. It’s an important part of my workflow.
CJ: What are your time management tips? How do you stay organized and efficient?
SS: The lists! I make multiple versions of my lists, I keep digital and handwritten copies. Actually physically writing things helps me remember them more accurately. It is also important to have an idea of how much time you can spend on something. It’s a good exercise to time yourself with parts of your day or workflow so you can accurately assess and distribute your time.
CJ: What is a cause or issue that you care about and why?
SS: A point of discussion recently has been the education system. I believe that we systematically approach educating people in the wrong way. This results in the population believing that they are not capable of many things. I believe that people can do anything they want to do. We live in a world where almost all knowledge is accessible and you can learn all about it with the half a second it takes to Google it.
CJ: What is an area, either personal or professional, that you are working to improve in and how?
SS: I’m really pushing myself to be better about being honest with myself and others. Not in the sense that I am a compulsive liar or any such thing. I am more accurately a relentless optimist. I believe that many things are possible and I’m often right, however, I tend to spread myself fairly thin at times by overcommitting to people. At a certain point it is more beneficial to others if I am not quite so drained.
CJ: Having a loaded schedule can sometimes be overwhelming. What do you do when you’re having a bad day and need to unwind or reset?
SS: I go outside. First thing I need to do is step away from what is frustrating me, which typically is work related and often involves a screen. I constantly need to remind myself to go outside, feel a breeze, and take a breath. It keeps my grounded and engaging my other senses takes the focus off of the one point of frustration. I also write my thoughts. It allows me to stop thinking about so many things at once if I can just get them on paper.
CJ: What advice would you give your 15-year-old self?
SS: It is okay to question your teachers. They’ll encourage you to do so. It is totally possible to make money in a creative field. Forget about business school. It is also possible to make things that are important and impactful, not just for you, but for others as well.
Images by Spencer Shores